The Sony RX100 VI was released in July 2018 and still costs the original $1,200 list price. Video, as is so often the case with Sony cameras, is another strong point. Note the closest focusing distance is 8cm at the wide end and 1m at the long end; you’ll need to get as close to these as possible to maximize the potential for blurring. In practice it worked seamlessly for me and I didn’t notice a significant impact on battery life while it was running. This camera has many hidden features that you’ll never discover if you don’t know where to look. Even the best portrait mode photos can't compare to real bokeh (melty backgrounds) produced in-camera. Check prices on the Sony RX100 VI at Amazon, Nikon Z TC-1.4x TC-2.0x teleconverter review. Likewise, there’s no in-camera raw converter for optimizing your images before sharing them. To help reduce the effects of camera shake, the RX100 VI features Sony's Optical SteadyShot image stabilization system, which delivers a 4-stop advantage. In terms of wireless, the RX100 VI offers Wifi with NFC and now also Bluetooth allowing easier connections and seamless location tagging via your smartphone; it works really well in practice, although now Sony’s removed the downloadable apps in the camera itself, there’s no interval timer or timelapse options. You simply pair the camera and phone like any other Bluetooth accessories, after which they maintain a low-power link, requesting and embedding GPS co-ordinates as you shoot. We’re not here to compare the two platforms, just setting the stage for why the RX100 VI exists and how it could be worth $1,200 in the right scenario. Sony has used the same high-powered Bionx X processor as in its professional Alpha 9, backed up by a front-end LSI that enables fast data throughput. Here’s how a bunch of them look given the same real-life subject; note there’s still no way to apply a miniature effect on movies which is odd since most other cameras allow it and Sony is rarely caught out by such things. The RX100 VI is the most expensive model yet, surpassing even some midrange mirrorless cameras. zoom lens 3. When it’s time to save and share, the RX100 VI uses the PlayMemories Mobile app to pass photos and videos through your phone and onto Instagram, Facebook, and wherever else you choose. I often used the onboard electronic viewfinder while shooting outdoors or in crowds, partly because it felt more secure to hold the camera close to my face than it did to angle it outward at chest height. Yalding HFR mode offers degrees of slow-motion up to 32x (960 fps, 30 fps playback), although this drops quality to 1,244 x 420 effective pixels. , are built around a Bionz X processor with front-end LSI, and you’ll find the same combination inside the RX100 VI (albeit in scaled-down form). In some comparisons there was no skewing what-so-ever, with the electronic shutter matching the output from the mechanical shutter. In the meantime, PlayMemories handles the basic chores. Add this to a 1-inch, back-illuminated 20.1MP Exmor CMOS sensor with Fast Hybrid AF and you have a seriously powerful combination. That's because the aperture gets smaller as you zoom in, limiting the amount of light the sensor can detect. Sensor: 20.1MP 1-inch Exmor RS CMOS sensor, Screen: 3.0-inch tilting touchscreen, 921,000 dots, Viewfinder: EVF with a 2.36-million-dot resolution. With all the processing power it has on board, you’d expect the RX100 VI to be an exceptionally snappy performer, and in most respects it delivers. The monitor can be angled in many ways such as for overhead shooting, or flipped a full 180 degrees into selfie mode. As before, you can start filming video in any relevant mode by simply pressing the red record button, but by first putting the camera into the Movie mode, it’ll preview the composition frame and unlock more control. The RX100 VI is a brilliant camera and more accomplished than the Panasonic TZ200 in several key areas. With its 20MP 1in-type sensor giving vastly better image quality than the tiny sensors previously used in this type of camera, it made the competition obsolete at a stroke. The RX100 VI should give greater background blur than the RX100 V, along with more flattering perspective, if you can take a step or two back from your subject and zoom to 100mm or longer. UHD 4K video at 30p and 24p along with 1080p slow-motion capture 7. Autofocus is achieved from Sony’s Fast Hybrid autofocus system with 315 phase-detection points covering about 65% of the sensor paired with additional contrast detect points for more coverage. Olympus handles this much more sensibly with its ART filters, which are only applied to JPEG files, leaving the RAW file (if enabled) as a backup, and even lets you grab all (or a selected bunch) of the ART filters in one go with ART filter bracketing. This kind of continuous-AF performance is remarkable for a pocket camera. Similarly your phone will automatically reconnect when it’s been powered off and on again. This means that while the RX100 VI can match the staggering 24fps burst shooting speed of the RX100 V, the buffer has been extended even further to 233 (JPEG) images, compared to 150 shots on the RX100 V – and it'll manage this while shooting with continuous AF and auto exposure. All rights reserved. Across a selection of bursts I found the RX100 VI did a good job at keeping the approaching subjects in sharp focus. At least Sony has now added a touchscreen, meaning it’s finally possible to select the focus point quickly when you’re shooting with either the screen or the viewfinder. It’s not quite what you can get from a larger-sensor mirrorless camera or DSLR, but it’s certainly more natural looking than what you get from most smartphones. Beyond the camera’s remarkable core spec, it doesn’t sport much in the way of extras. This doesn’t mean it’s perfect. Low light performance is also good, with an ISO range of 125-12,800, expandable down to 80 and up to 25,600. For example, like earlier Sony cameras, the RX100 V’s picture effects are greyed-out if you’re shooting RAW or RAW+JPEG, which is daft as it’d be nice to only have the effect applied to a JPEG and keep a RAW as backup. Announced in June 2018 it comes 21 months after its predecessor, and like that model packs a larger than average 1in sensor and high-end features into a relatively pocketable body. With RAW disabled, you can choose from Toy Camera (with five different filters), Pop Colour, Posterisation (in Colour or Black and White), Retro, Soft High Key, Partial Colour (with the choice of red, green, blue and yellow), High Contrast Mono, Soft focus (with the choice of Low, Mid or High), HDR Painting (with the choice of Low, Mid or High, or as I like to call them, awful, horrendous or appalling), Rich Tone Mono, Miniature (with the stripe of focus variable between Auto, Top, Middle Horizontal, Bottom, Right, Middle Vertical or Left), Watercolour, or Illustration (with the choice of Low, Mid or High).

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